Those claiming AI training on copyrighted works is “theft” misunderstand key aspects of copyright law and AI technology. Copyright protects specific expressions of ideas, not the ideas themselves. When AI systems ingest copyrighted works, they’re extracting general patterns and concepts - the “Bob Dylan-ness” or “Hemingway-ness” - not copying specific text or images.

This process is akin to how humans learn by reading widely and absorbing styles and techniques, rather than memorizing and reproducing exact passages. The AI discards the original text, keeping only abstract representations in “vector space”. When generating new content, the AI isn’t recreating copyrighted works, but producing new expressions inspired by the concepts it’s learned.

This is fundamentally different from copying a book or song. It’s more like the long-standing artistic tradition of being influenced by others’ work. The law has always recognized that ideas themselves can’t be owned - only particular expressions of them.

Moreover, there’s precedent for this kind of use being considered “transformative” and thus fair use. The Google Books project, which scanned millions of books to create a searchable index, was ruled legal despite protests from authors and publishers. AI training is arguably even more transformative.

While it’s understandable that creators feel uneasy about this new technology, labeling it “theft” is both legally and technically inaccurate. We may need new ways to support and compensate creators in the AI age, but that doesn’t make the current use of copyrighted works for AI training illegal or unethical.

For those interested, this argument is nicely laid out by Damien Riehl in FLOSS Weekly episode 744. https://twit.tv/shows/floss-weekly/episodes/744

  • mm_maybe@sh.itjust.worksEnglish
    4·
    2 months ago

    Yeah, I’ve struggled with that myself, since my first AI detection model was technically trained on potentially non-free data scraped from Reddit image links. The more recent fine-tune of that used only Wikimedia and SDXL outputs, but because it was seeded with the earlier base model, I ultimately decided to apply a non-commercial CC license to the checkpoint. But here’s an important distinction: that model, like many of the use cases you mention, is non-generative; you can’t coerce it into reproducing any of the original training material–it’s just a classification tool. I personally rate those models as much fairer uses of copyrighted material, though perhaps no better in terms of harm from a data dignity or bias propagation standpoint.