Brazilian music is famous worldwide — from bossa nova, to choro, to samba.
Bossa is cool, choro is amazing, but my favorite things about samba is that despite being “pop music” it still has complex rhythms and harmonies.
My top favorite thing is the prevalence of the 7 stringed guitar and their use of counterpoints (i.e., parallel melodies).
I love how what (I think) started as guitarists just playing harmonies, turned into them improvising bass lines and counterpoints every once in a while, which eventually became them doing MOSTLY counterpoints and bass lines and barely playing the harmony lmao.
These bass lines and counterpoints, from what I understand, are often times arpeggiations of the chords and so forth, but they add such an amazing effect to the music.
Examples:
- This guy solo playing over a recording.
- This solo guitar + singer.
- Most music by Cartola which features the absolute timeless 7 stringed legend Dino. This one is a classic.
Metalcore.
I love the raw emotion you can hear and feel in harsh vocals, usually the lyrics and themes explored in this genre are best expressed with screams, and sometimes its the only appropriate way to rail against injustices and corruption or express the anguish and headache of emotional struggles.
I also love the contrast that clean vocals provide, usually with pop-like hooks soaring into catchy choruses or just to really bring a juxtaposition with the harsh vocals to give even more depth to the things that are sung and the things that need to be screamed. And sometimes the heart wrenching emotion that the cleans can provide [listen to Gone With the Wind by Architects]. (Note: not all metalcore has both clean and harsh vocals, but often a combination of both)
And the music itself is high energy, driving beats rapid double bass drum patterns and catchy guitar riffs with often unpredictable tempo changes and transitions to take you by surprise and keep your brain buzzing with anticipation, and not to gloss over the breakdowns. Oh when that tempo drops, guitars chugg and the drums start crashing china cymbals like a thunderstorm erupting around your head and you just feel the need to bang your head feeling like your heart is beating out of your chest and electricity is coursing through your veins.
Anyways, i think its pretty good music.
I love many genres of music, so the open ended creativity in the downtempo electronic scene is where I usually find myself regularly being rewarded with something that feels new. Any genre or mix of many can be worked in and explored with the gloves off. And I love deep groovy bass work.
I also can’t get enough of electronic downtempo/chillout/lounge music, mainly prefer instrumental stuff but if it’s gotta have vocals then make them female. got any artist recommendations? I love all the old Pork Records stuff (Fila Brazillia, Baby Mammoth, Leggo Beast, Bullitnuts), and Elektrolux records (Fresh Moods, Guardner, Index ID, Naoki Kenji, The Sushi Club), Tosca, Kruder & Dorfmeister, Peace Orchestra, Nightmares On Wax, Bonobo, etc.
I usually lean more into the psychedelic side as I went deep into the psytrance scene in my twenties, like Ott, Shpongle, Bluetec, Ishq then had a major trip hop phase with Morcheeba, massive attack, Portishead, RJD2 and many artists you mentioned. Supertask has been one of my recent finds that has been impressive. Mostly I am song to song not heavy into particular artists. Here is a small platter of artists you haven’t mentioned.
https://open.spotify.com/playlist/4kFtWXruto5D6tbFDaMMXq?si=ei3olPlcT8i3vKs0mCAe1g&pi=u-cqsPkzARTy2G
Blues, because it has so widely influenced other forms of music.
“The blues has become the basis for nearly every form of American popular music over the past 100 years: jazz, R&B, rock, hip-hop.”
My favorite new blues tune:
Gothic metal, Peter Steele is my spirit animal and Type O Negative is the soundtrack of my life.
Powerpop. What’s not to like? Jangly guitars, vocal harmonies and killer hooks.
Whatever genre includes System of a Down, Rage against the Machine, Tool, and Nine Inch Nails
They have either a message or emotional rage or both at the same time. SOAD can go from pizza song to songs about prison industrial complex on the same album. Rage is uncompromisingly left political. Tool is on a journey from anger and unhealthy mental health in their early albums to embracing therapeutic ideas and healing while still feeling human emotions. NIN is just raw industrial sound and emotion.
It seems nu metal.
Ehh, SOAD maybe, and kiiiiiinda RATM but it’s a stretch, but NIN is hardline Industrial, and Tool is really kinda just heavy Prog (not a judgement against it, there’s nothing wrong with Prog!)
Trance
Folk music. I love the sound, obviously, but I also love the way it’s not so much about writing songs as learning them, taking something from the past and carrying it into the future.
What are some of your favorites? I adore folk and am always looking for more recommendations
I would recommend The Arcadian Wild
Great description.
Any metal with growing. I don’t care for lyrics unless they are funny. This applies to music where you can actually hear them too.
Try suggesting a metal band too extreme for me. I don’t like the lo-fi black metal because of the lo-fi part.
They def won’t be too extreme for you (I mean lmk if any are I guess), and some you’ll likely know already probably, but you’ll probably like some of them just judging from your challenge (mixed subgenres):
Insect Warfare Skinless Nunslaughter Toxic Holocaust Devourment Whitechapel Cattle Decapitation Eyehategod Nails Wormrot Anal Cunt His Hero Is Gone Carcass Dropdead Infest Cryptopsy Necrophagist Magrudergrind Sete Star Sept Suppression ACxDC Lovgun (bisou, 2012)Some of those are more yelly than growly, but check 'em out! Since you didn’t call out a specific genre like goregrind or something I got a little carried away haha.
Thank you!
My theory on metal:
Metal is 90% terrible / discordant background, with 30 seconds of pure blissful harmony that you just wouldn’t appreciate if that 90% terrible contrast didn’t exist.
With time, and repeated exposure, you pick up on the small harmonies within that discord that will continue to blow your mind for the next 10 years as you recognise more patterns in the chaos.
This usually means that your least favourite song by Metal Band X a decade ago is now your favourite, and your most favourite song of theirs a decade ago now sounds like a mere nursery rhyme.
/endtheory
Shoegaze.
The waves of euphoria I feel being blanketed in a wall of melancholic distortion and fuzz makes my brain go brrr.
I just love shoes
Baroque
It’s hard to pick a favorite, but right now I’m really into Funk. Funk as a whole, definitely, but the subsect that is Bubblegum Funk is just so relaxing and chill, I’ve been listening to it while working lately.
I came back here to see if there were new additions, since I came across the post early on. I also really enjoy funk, with a favorite being Primus, well, anything Les Claypool really (His stuff with Sean Lennon, much more …trippy rock?, with Claypool Lennon Delirium, still excellent). They are a really heavy lil corner of the funk/rock spectrum though.
I am def going to check out some bubblegum funk now, it sounds like it should be an opposite spectrum sound experience!
So, thank you for allowing me to suckle on your presence a bit?
What’s bubblegum funk? I’m picturing Tom Tom Club’s Genius of Love.
For me it’s Irish traditional music. Aside from having an interesting history, the style often takes a very high level of musicianship to play well. A single monophonic instrument can play a tune and the fast-moving stream of notes can simultaneously spell out melody, counterpoint/call-and-response, and harmony, as well as providing a strong rhythmic pulse (it is music to dance to, after all).
Grindcore. Blast beats. Anti-capitalism.
Propagandhi?
Not grind.
No, but they do love grindcore as well.
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Excrementory Grindfuckers!
Bach. Both easy to listen to and a never ending trove of new discoveries. Emotional and yet silly. Spiritual even for an atheist. Simple yet cerebral. Occasionally melancholy yet always life affirming. Rule bound, yet jazzy.
