The only way I could level up is to go back to university and get a PhD in music… I studied it for 6 years and am happy with the level of my musical process.
I would definitely argue that Linux has good music software… But better? By what metric? I love what I’m using, it doesn’t get in the way and lets me explore ideas at will, it performs perfectly, its very stable.
Now, for me, the perks to Linux are freedom and privacy. This is excellent, and in this specific use-case, I find this within what I’m using on Windows. Even during using Ubuntu Studio as my daily os, I had to keep a copy of XP available in case I wanted to use a particular bit of software, a plugin, or a technique.
I agree that the solution would be for software vendors to target Linux… But they don’t, and not having the choice to use these tools would mean an interior result. Linux can’t and shouldn’t be the answer to every issue, It only serves to mislead if it isn’t true.
I would definitely argue that Linux has good music software… But better? By what metric?
By the metric that windows is a closed box while linux can be tuned to be a much better machine to play and make music. Not having the possibility to route audio is a joke and an even bigger joke is using windows to play live with 0 control over what it does
Okay, imagine I can see windows in all its inefficient, telemetry riddled candy crush glory… in a better of minutes I can start making music with my hardware, with absolutely no setup besides plugging in some cables and downloading my program.
I spent months trying to convince JACK that my PC had a line-out even with the help of some lovely people over at JACK and Ubuntu forums, the answer we all came to was to try using Windows 7, which grudgingly got on with it, no issue at all.
I really, really wanted to ditch Windows for good, and did so proudly for almost five years, I have no loyalty to companies because that’s daft. But part of maturing is knowing that someone tried a thing, it didn’t work for them, and what works for you may vary. My build on my computer has been rock solid for performances, live recording, making entire games… I can’t fault the damn thing try as I do!
I think it does the amazing work of the FOSS world a disservice to go after people exercising their choice to use whatever they want. It also makes these people feel unwelcome, and less likely to want to touch Linux with a ten-foot-pole.
I had various distros, and would to this day run LXLE proudly if I didn’t have a need to use the music software I do. I still rock FOSS projects as much as possible (an old Audacity build gets much of what I need to do with game audio done, I take great glee in never touching Adobe products).
That said, in my subjective use case, I can’t in any way say that the ethics of Linux made me make better music, but it did make me interested in technology, and that’s also good. Arguing with Ardour and Jack to get Audio out was tedious, and I lost months of productivity through trying to will things to work.
I hope that’s a constructive and helpful way to expand on this. :)
The only way I could level up is to go back to university and get a PhD in music… I studied it for 6 years and am happy with the level of my musical process.
I would definitely argue that Linux has good music software… But better? By what metric? I love what I’m using, it doesn’t get in the way and lets me explore ideas at will, it performs perfectly, its very stable.
Now, for me, the perks to Linux are freedom and privacy. This is excellent, and in this specific use-case, I find this within what I’m using on Windows. Even during using Ubuntu Studio as my daily os, I had to keep a copy of XP available in case I wanted to use a particular bit of software, a plugin, or a technique.
I agree that the solution would be for software vendors to target Linux… But they don’t, and not having the choice to use these tools would mean an interior result. Linux can’t and shouldn’t be the answer to every issue, It only serves to mislead if it isn’t true.
By the metric that windows is a closed box while linux can be tuned to be a much better machine to play and make music. Not having the possibility to route audio is a joke and an even bigger joke is using windows to play live with 0 control over what it does
Okay, imagine I can see windows in all its inefficient, telemetry riddled candy crush glory… in a better of minutes I can start making music with my hardware, with absolutely no setup besides plugging in some cables and downloading my program.
I spent months trying to convince JACK that my PC had a line-out even with the help of some lovely people over at JACK and Ubuntu forums, the answer we all came to was to try using Windows 7, which grudgingly got on with it, no issue at all.
I really, really wanted to ditch Windows for good, and did so proudly for almost five years, I have no loyalty to companies because that’s daft. But part of maturing is knowing that someone tried a thing, it didn’t work for them, and what works for you may vary. My build on my computer has been rock solid for performances, live recording, making entire games… I can’t fault the damn thing try as I do!
I think it does the amazing work of the FOSS world a disservice to go after people exercising their choice to use whatever they want. It also makes these people feel unwelcome, and less likely to want to touch Linux with a ten-foot-pole.
I had various distros, and would to this day run LXLE proudly if I didn’t have a need to use the music software I do. I still rock FOSS projects as much as possible (an old Audacity build gets much of what I need to do with game audio done, I take great glee in never touching Adobe products).
That said, in my subjective use case, I can’t in any way say that the ethics of Linux made me make better music, but it did make me interested in technology, and that’s also good. Arguing with Ardour and Jack to get Audio out was tedious, and I lost months of productivity through trying to will things to work.
I hope that’s a constructive and helpful way to expand on this. :)