Hey you kids, get off my WLAN!

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Joined 1 year ago
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Cake day: August 14th, 2024

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  • As border tensions intensified, the sight of soldiers and journalists carrying heavy field gear underscored the harsh terrain and long deployments at the frontier. For those in such unpredictable conditions, reliable equipment becomes essential.

    Like the 5.11 Tactical Backpack, Rush 72 2.0, designed for military and field operations with multiple compartments for carrying essentials.

    The sudden shift to advertising gear in the middle of article caught me off guard, lmao









  • What I mean by adding something of our own is how art, in Cory Doctorow’s words, contain many acts of communicative intent. There are thousands of microdecisions a human makes when creating art. Whereas imagery generated only by the few words of a prompt to an LLM only contain that much communicative intent.

    I feel like that’s why AI art always has that AI look and feel to it. I can only sense a tiny fraction of the person’s intent, and maybe it’s because I know the rest is filled in by the AI, but that is the part that feels really hollow or soulless to me.

    Even in corporate art, I can at least sense what the artist was going for, based on corporate decisions to use clean, inoffensive designs for their branding and image. There’s a lot of communicative intent behind those designs.

    I recommend checking the blog post I referenced, because Cory Doctorow expresses these thoughts far more eloquently than I do.

    As for the latter argument, I wanted to highlight the fact that AI needs that level of resources and training data in order to produce art, whereas a human doesn’t, which shows you the power of creativity, human creativity. That’s why I think what AI does cannot be called ‘creativity.’ It cannot create. It does what we tell it to, without its own intent.



  • You’re forgetting the fact that humans always add something of our own when we make art, even when we try to reproduce another’s artpiece as a study.

    The many artists we might’ve looked at certainly influence our own styles, but they’re not the only thing that’s expressed in our artwork. Our life lived to that point, and how we’re feeling in the moment, those are also the things, often the point, that artists communicate when making art.

    Most artists haven’t also looked at nearly every single work by almost every artist spanning a whole century of time. We also don’t need whole-ass data centers that need towns’ worth of water supply to just train to produce some knock-off, soulless amalgamation of other people’s art.

    Look at what they need to mimic a fraction of our power.




  • Those are already arguments for why NASA and space programs shouldn’t exist in the first place.

    I remember watching something about the space race, and there was a clip of public opinion during the time of the first mission to the moon, where a man complained that the money should’ve been used to improve the lives of poor Americans instead.

    Regardless, for the scenario in The Martian, if money is already being spent and going to continue being spent on space missions in the future, I think you can rationalize it as using money for another or next space mission. They would still gain knowledge from what they had to do to pull off that rescue, so it’s not a complete waste of funds for a mission either.

    On the morality point, I’d argue that we should spend the money to rescue any person if we have the money/means, and it can feasibly happen without excessive risk to other lives, otherwise we’re assigning monetary value to human lives. That includes both people in imminent danger, requiring expensive emergency services, and people suffering slower, persistent risks like hunger that require sustained support.



  • Mark Waters says sales at his Odessa, Texas, tools business, which he describes as a “Home Depot for the oilfields,” are down about 10 percent. He does not regret voting for Trump, saying he is willing to take a personal hit to support the president’s agenda. But he said it is ironic that over the decades he has made a lot more money when the party he despises is in power. “The oil business has thrived under Democratic leadership despite them being true haters of all things fossil,” Waters said. “For whatever reason, I made millions of dollars under Clinton. Then I made even more under Obama and Biden. I have never had a solid explanation.” His business outlook for the coming months under Trump? “Hopefully it won’t be catastrophic,” Waters said.

    Almost some self-awareness there. Almost.