• RizzRustbolt@lemmy.world
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    27 days ago

    Of course they’ll be used for “recreational purposes”. How do they think museums are supposed to work?

  • Blue@lemmy.world
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    28 days ago

    Media needs to be future-proofed or else we risk repeating the around 75% of original silent-era films have perished and are forever lost.

  • NABDad@lemmy.world
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    28 days ago

    The purpose of copyright is to encourage the creation of art to enrich society. Making money for copyright holders is a means to an end, not the end itself.

    We need a new copyright law that shifts media to public domain if the copyright holder no longer makes it available.

    • Plagiatus@lemmy.world
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      28 days ago

      Sure you can buy this - for just $1000000 you can watch this movie on Amazon.

      Technically it’s available.

      • gerbler@lemmy.world
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        28 days ago

        This is why the word “reasonable” comes up in a lot of laws. “What counts as reasonable?” You ask? This is what judges are for; to examine the circumstances and make a judgement call.

        • kautau@lemmy.world
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          28 days ago

          I think your comment is the most succinct summary in and of itself. It exists like a perfect quote from Greek philosophy. I was purely pointing out the broken issue of copyright as it exists.

          The point of existence is to struggle for better existence in some schools of thought as you’ve summarized.

          In others, it’s to realize that by struggling through cycles of existence you are not aware of the trap of existence, like Zen Buddhism.

          In traditional Abrahamic schools of thought it’s to honor God enough and follow your creed that you get rewarded after you die.

          I think the way I feel about existence is more Nihilist. Something like https://youtu.be/E_qvy82U4RE

          • Malek061@lemmy.world
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            28 days ago

            I was where you were, a nothing matters, what’s the point nihilist. But I learned that I had skills and talents that could help people. Ended up going to law school and now I helping folks.

            I believe every person can put their pants on in the morning and go out and make their local community just a little bit better. People get caught up in macro morals but just giving your neighbor a plate of Thanksgiving goods goes such a long way.

            • veni_vedi_veni@lemmy.world
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              28 days ago

              Yea, I always liken nihilism to being an asshole, because you reap the rewards, however small or large, of peoples’ labour who didn’t think that way. The least you can do is pay it forward, so it’s more an obligation then anything else.

            • kautau@lemmy.world
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              28 days ago

              Oh hey don’t get me wrong. I switched my job from an ad agency to an emergency management SaaS company that was crucial during COVID to ensure vaccines went out to people when they should have and continues to have beneficial applications. I took a big pay cut, but the work is far more fulfilling.

              I’m by no means saying we should treat our lives as if nothing matters, and I apologize that it came off that way. I think moreso my message was that there’s no great creed or so we can look to for guidance. Wake up every day, do your best to help others, then sign off of the toxicity that is most social media and do your best to treat yourself and those you care about with love. Go to sleep, and rinse and repeat.

              But just don’t expect some magic eureka moment of where it gets easier. We’re all just struggling, and unfortunately I don’t think the forces we struggle against like greed will ever go away.

              Cheers, thanks for the discourse, and I hope you find yourself with increasing happiness as the days flow by

    • Captain Aggravated@sh.itjust.works
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      27 days ago

      Copyright and patent law is a social contract and a very fundamental one.

      United States Constitution has some pretty cool ideas in it. Freedom of speech? That the government cannot punish you for expressing an idea? That was added as an afterthought. Freedom of religion? That congress shall make no law establishing a religion, making our society secular and preventing the government from punishing those who do not conform? Afterthought. The right to a trial by jury of peers, the right to not be compelled to testify against yourself, the right to be secure in your person and property? Afterthoughts. All of that, all of the things we call the Bill Of Rights, were added on the basis of “Wait we should probably have this.”

      The basis of intellectual property law isn’t in an amendment, it’s too important. It’s in the main body of the constitution. Article 1, Section 8, Clause 8 Intellectual property:

      To promote the Progress of Science and the useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respecive Writings and Discoveries.

      We The People grant creators for a time exclusive right of way over their creations to monetize and profit from them as incentive for doing the work of creation so that we may have the creations, after which the creation becomes the heritage of all mankind forever so that other creators in the future may build upon it. Americans tend to view our first amendment right to freedom of speech, broadly defined by our supreme court to include symbolic speech to include overt actions such as burning a flag, as near absolute. Even the allegedly liberal allegedly enlightened democracies in Europe will outlaw ideas; America will not. Copyright and patent law is one of the very few where we will limit speech or the press, for it is one of the few laws that came before the first amendment. You may not be free to print an idea if it currently belongs to someone else.

      Without that incentive, the ability to personally profit form the works you create, you get the Soviet Union, which invented…Tetris. Whose inventor didn’t earn a single kopek from his invention until he became an American citizen. Without the expiration date for copyrights or patents you get…Disney. Who gobbles up creative works without the intention of letting go with the apparent goal of monopolizing the very idea of storytelling itself, hoarding wealth in perpetuity and simply buying any competition.

      For a society to properly function it is important for patents and copyrights to be temporary in nature; they must exist and yet they must within a lifetime cease to exist. Lack of either condition is an intolerable rot. Copyright terms being the lifetime of the author plus seventy years is a rot the United States probably has not survived. I think we’re soon to find out.

      • ObliviousEnlightenment@lemmy.world
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        27 days ago

        My only critique is you seem to downplay Tetris like it isnt one of the greatest games ever developed. You are right in that Pajitnov had to straight up move to have any right to reward from it. Also the Soviet Union had to collapse

        • Captain Aggravated@sh.itjust.works
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          27 days ago

          Tetris is a cool game, sure, but my point is the Soviet Union had a short list of hit video games. Name 5 other famous Soviet video games. Not a major exporter of cultural works.

          • ObliviousEnlightenment@lemmy.world
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            26 days ago

            While you’re right, its a really poor way to phrase that. Compare to something like, “In 69 years, the Soviets only managed to make Tetris, and even then the creator didnt see a cent until he emigrated to America”.

            Could also mention how they failed to keep up with American computing

            • Captain Aggravated@sh.itjust.works
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              26 days ago

              I don’t disagree, though another nuance is that…The Soviet Union wasn’t empty of people with creative capacity. A Soviet invented Tetris, and Tetris is an excellent game. But the way intellectual property worked (or not) meant not many had the opportunity and motive to try, and look at the result.

  • JigglySackles@lemmy.world
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    27 days ago

    Yeah because I go to the library and complain and scowl the whole time I’m reading. Occasionally I make sure to belt out “I’m not enjoying this! I only do it for preservation reasons!” bunch of greedy fucks.

    • Godort@lemm.ee
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      28 days ago

      This has been an issue since copyright came into being. Money is at odds with the preservation of art so shareholders are incentivized to limit access to older titles and keep control in case it turns out they can sell them for profit.

      Keep circulating the tapes, as they say

  • kryptonianCodeMonkey@lemmy.world
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    28 days ago

    Imagine if you weren’t allowed to watch your favorite movies from the 80’s or earlier unless you managed to have a still working VCR and VHS copy from your childhood. No Goonies, no Godfather, no Star Wars original trilogy. They decided to wipe these films from the face of the earth so that you could no longer enjoy them and had to go buy their new movies, exclusively, if you wanted entertainment from a film. That’s what games publishers are trying to do, so they don’t have to compete for you attention with older classics.

    • affiliate@lemmy.world
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      28 days ago

      No Goonies, no Godfather, no Star Wars original trilogy

      i would be okay with this. we should still preserve games of course, but i wouldn’t mind losing out on those movies

    • rImITywR@lemmy.world
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      28 days ago

      You can still watch those old films, as long as you are paying a subscription to a streaming service so the studio can keep making money off of them.

      That’s what video game publishers want too. Nintendo doesn’t want to wipe SMB3 off the face of the earth. They just want to make sure the only way you can access it is to pay for Nintendo Switch Online.

      • vinnymac@lemmy.world
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        28 days ago

        You can still watch those old films, as long as you are paying a subscription to a streaming service…

        And they feel like releasing the content you want to watch. And they don’t try to ruin the experience by remastering it. And they don’t try to ruin the experience by upscaling or recreating the film in a different style. And they don’t triple the price of content that used to cost a quarter of what it does now. And your device is compatible with their platform, service, and encoding formats. And the DRM implementation is compatible with your device, your cables, your speakers, and your ears. And you can pay to access that content in the location you happen to be living in, which is not always your choice. And you don’t have to buy a peripheral device just to access the content. And you trust them not to enshittify everything that you held dear about the original.

        And and and… so the studio can keep making money off of them.

      • anyhow2503@lemmy.world
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        28 days ago

        This is such an incredibly naive take that has already been proven wrong by multiple publishers going out of their way to do exactly what you just said. There’s also a ton of abandonware which is not being sold and never will be again.

      • sp3ctr4l@lemmy.zip
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        28 days ago

        Except that that is largely not even true.

        87% of games made before 2010 are completely commercially unavailable.

        https://www.theverge.com/2023/7/14/23792586/classic-game-preservation-video-game-history-foundation-esa

        They do not even want to be in control of retro games to be able to sell them indefinitely.

        With the exception of certain, wildly popular games they know they can still charge a high price for, they do not want the vast majority of retro games to be legally available at all.

        Further, with books, film, other kinds of art… a legal carve out exception does exist for the purposes of academic study and research.

        Basically, accredited academic institutions have the ability to rent those out to students, people writing studies on media and cultural history.

        Video games? As of this ruling, nope, they are special, studying the history of video games functionally requires breaking the law.

        They just get shoved into the vault, never to be seen again, by anyone, ever.

        • This is fine🔥🐶☕🔥@lemmy.world
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          27 days ago

          87% of games made before 2010 are completely commercially unavailable.

          Would be interesting to know how many are unavailable because of licensing or rights issue. Racing games like NFS Underground or Most Wanted, for example, aren’t available anymore because of music license wasn’t renewed by studio.

          Or many games aren’t available because the developer/publisher studio doesn’t exist anymore.

        • pastel_de_airfryer@lemmy.eco.br
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          28 days ago

          This reminds me that 90% of silent movies are lost forever because there was no effort to preserve them at the time.

          If it wasn’t for people going as far deliding chips and breaking encryption, a good chunk of gaming history would be lost by now.

        • Grimpen@lemmy.ca
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          28 days ago

          And this is the real cost. Sorry Mario Brothers will pretty much always be available as long as Nintendo is around, but obscure games or classics with disputed Copyright will disappear.

          Who is out there even trying to stream the old Sierra games? At least they are on GoG, but I know even GoG has tried to track down current copyright holders for old classics and the are plenty of orphan games where after several mergers and divestments, there is some uncertainty, and it’s not worth it for any of the potential copyright holders to sort it out and license it, and unfortunately it’s not worth it for GoG to publish it to find out if they’ll sue GoG.

          This is why Abandonware is such an important concept.

          • MonkeMischief@lemmy.today
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            28 days ago

            Oni, Alien Vs. Predator 2, No One Lives Forever 1 and 2, MechWarrior 2/3/4, Black & White 1 and 2…

            And that’s just at the top of my head. Copyright hell is awful.

            One thing I’ve heard is it’s sometimes a weird stalemate where companies might have the property in their basement somewhere, but if there’s interest in it, suddenly the value will shoot up, so nobody wants to confirm it in case they’re the loser and will have it extorted from them.

            I’m probably explaining it wrong. (Because it’s absolute nonsense.) But someone might know a better explanation than I.

            • Grimpen@lemmy.ca
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              27 days ago

              I know there are several seminal works locked in archives or even just lost.

              I couldn’t think of any specific examples off the top of my head, but I was considering the fate of Microprose, Sierra On-Line, and other studios that were gobbled up, disbanded, broken up, etc.

              Your Mechwarrior example is a good example of licensing, where you might have defunct TTRPG studios (FASA) licensing a property to a have company it studio that has also gone though several mergers.

              There should be a “use it or lose it” provision in copyright law, kind of like back in the day with what happened to “It’s A Wonderful Life”. The only reason IAWL became a Christmas classic isbecause it became public domain.

    • randon31415@lemmy.world
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      28 days ago

      Sort of like how they erased all the evidence of “Sinbad’s Shazaam” and then gaslit everyone that remembered it?

      • MonkeMischief@lemmy.today
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        28 days ago

        Oh c’mon don’t screw with my head like that. I specifically remember seeing the “Shaq Genie movie”… Wait that was Kazaam! Dang it!

    • 🇰 🌀 🇱 🇦 🇳 🇦 🇰 ℹ️@yiffit.net
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      28 days ago

      It’s just bonkers to me because they do everything for profit anyway; what the fuck profit do they get from not selling shit anymore? I said this not long ago about Nintendo, but other companies are guilty of it too. Spending money attempting to stop piracy, instead of making money by just giving customers what they fucking want. What crazy company secrets are they hiding that not continuing to sell a product is better than selling it?

      • CosmicTurtle0@lemmy.dbzer0.com
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        28 days ago

        It’s like a toxic romantic partner: if I can’t make a lot of money doing this one thing, then no one can.

        Come to think of it, a lot of late stage capitalism behavior is like a toxic partner.

      • thatKamGuy@sh.itjust.works
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        28 days ago

        Not in any way defending Nintendo - seriously, fuck them, I will pirate their entire catalogue and not feel one iota of guilt.

        But, what mix of those 87% of games no longer commercially available fall into one of these three categories:

        1. yearly releases of game franchises (e.g. FIFA/NFL/NHL/NBA ‘94, ‘95, ‘96 etc.)
        2. unofficial releases (e.g. bootleg Christian NES carts)
        3. impossible to re-release 1:1 due to music licensing issues (anything with EA TRAX, Vice City/San Andreas etc.)

        So I guess what I’m asking is, what percentage of those games aren’t economically viable to resell, or are stuck in licence limbo?

  • Caveman@lemmy.world
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    28 days ago

    It feels like companies are worried about people not wanting to play new stuff if they have decades of old stuff available. Just like movies right guys?

  • Bruncvik@lemmy.world
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    27 days ago

    Damn right that old video games would be used for entertainment. I have old books, which predate me by decades, that I still read. I watch old movies on DVD’s. I see no reason why games should be any different.

    I’m lucky that ever since I’ve been a gamer, I had a PC. Hardware is thus not a problem, and in my case, so is emulation, via VirtualBox. I kept the install disks and license keys (if applicable) for all operating systems I’ve used, so now I have several virtual images I spin up when I want to play a certain game. And I’m finding that I’m still spending most of my time with the older titles…

    This will not help anyone who’d like to play their old favorite from the NES or Dreamcast era. And it’s too late to advise only buying games that are platform independent. So kerp up the good fight. In the past you purchased games to own, not a “limited license”. You are entitled to kerp using your entertainment product as you see fit.

    • SplashJackson@lemmy.ca
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      27 days ago

      I read an old book, and it didn’t need batteries, nor had it microtransactions, nor advertisements, nor did it need updates. Worst of all, I got it for free at my local library. The terror!

      • Droechai@lemm.ee
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        27 days ago

        I always enjoyed the ads in some youth books, like the “one chapter teaser” of the next adventure in the local translation of “Famous Five” by Blyton

          • Droechai@lemm.ee
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            27 days ago

            We never had that kind of ads in our books, they came in catalogues I sadly never got to order from even if the "make your own radio"kit with crystal always looked awesome

            • SplashJackson@lemmy.ca
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              27 days ago

              Those radio kits with the crystals actually worked, I remember building one with my pa. I forget the principle behind them

      • Phoenicianpirate@lemm.ee
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        27 days ago

        Ha! I used to do that, too. They also had video tapes at mine, and audio. You could do all sorts of things there. It was publically funded, as it should.

  • chonglibloodsport@lemmy.world
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    28 days ago

    Note that this really only affects researchers/historians who were hoping to have a copyright exemption for controlled digital lending. This would let them virtually borrow a copyrighted retro game ROM file (from an archive such as the Internet Archive) and play it via emulation through the browser. I have actually played a few retro games on IA using their browser emulator and while it is playable it wouldn’t be my first choice.

    For retro game enthusiasts who weren’t aware of these browser emulators not much will change. You still have the same exemptions covering abandonware for personal use and for playing multiplayer games where the publisher has shut down the servers. No, you’re not entitled to the publisher helping you run those games but you are protected if your goal is to reverse engineer the game code in order to create your own fan-made server. Several old multiplayer games have open source servers for this!

    Also if you’re playing on original hardware then of course you’re still fully in the clear to buy used cartridges, make backups of them, play them all you want. Yes, some rare are super expensive but a lot of that stuff is due to people collecting sealed and graded games which really has nothing to with actually playing games. You’re not going to spend thousands on a sealed game and then crack it open to play it when you could just buy an open copy for far cheaper or even download a ROM for free.

    Anyway, yes, these publishers are idiots pushing out crap games we don’t want to play. That’s fine. If their goal was to kill retro gaming to try to force us to buy new games then they’re still a thousand miles away from that!